César di Candia

César di Candia[5†]

César di Candia, born October 24, 1929, in Florida, Uruguay, is a distinguished journalist and writer. His contributions span renowned publications like El País, Lunes, and Búsqueda. Beyond journalism, his literary works echo his extensive media background. Notably, his interviews with key figures during Uruguay's civic-military dictatorship, including retired General Hugo Medina, are heralded as pivotal moments in Uruguayan journalism[1†][2†].

Early Years and Education

César di Candia was born on October 24, 1929, in Florida, Uruguay[1†]. Unfortunately, there is limited information available about his early years and education. His journey into journalism and writing, which began in Uruguay, was influenced by the socio-political climate of the time[1†]. His early experiences likely shaped his perspective and approach to journalism and writing, leading him to become a respected figure in his field[1†].

Career Development and Achievements

César di Candia has had a long and illustrious career in journalism and writing. He has contributed to several significant periodicals, including El País, Lunes, El Dedo, Guambia, Repórter, Hechos, La Mañana, Marcha, and Búsqueda[1†][3†]. His work in these publications has been influential and has earned him a respected place in the field of journalism[1†][3†].

One of the most notable aspects of di Candia’s career is his interviews with prominent politicians involved in the civic-military dictatorship[1†][3†]. His interview with retired General Hugo Medina, in which Medina revealed giving orders to torture, is considered a landmark in Uruguayan journalism[1†][3†].

In addition to his work in journalism, di Candia is also a prolific writer. His literary works reflect his extensive experience in written media[1†][3†]. Some of his notable non-fiction works include “Ni muerte ni derrota” (1987, republished in 2006), “El viento nuestro de cada día” (1989), “Los años del odio” (1993), “La generación encorsetada” (1994), “Grandes entrevistas uruguayas” (editor, 2000), “Sólo cuando sucumba” (2003), and “Tiempos de tolerancia, tiempos de ira” (2005)[1†]. His fiction works include “El país del deja, deja” (1996), “Resucitar no es gran cosa” (1997), “Concierto para doble discurso y orquesta” (2003), and “El pleito de la Princesa de Gales y otros relatos” (2016)[1†].

First Publication of His Main Works

César di Candia’s literary works are a reflection of his extensive experience in written media[1†]. His works span across both fiction and non-fiction, each contributing significantly to Uruguayan literature[1†].

Here are some of his notable works:

• Ni muerte ni derrota (1987, republished in 2006)[1†]: This non-fiction work is one of his earliest publications. The title translates to “Neither Death nor Defeat”, indicating a strong theme of resilience[1†].
• El viento nuestro de cada día (1989)[1†]: Translated as “Our Daily Wind”, this non-fiction work further establishes di Candia’s voice in the literary world[1†].
• Los años del odio (1993)[1†]: This non-fiction work, whose title translates to “The Years of Hatred”, likely explores themes of conflict and societal tension[1†].
• La generación encorsetada (1994)[1†]: This non-fiction work, “The Corseted Generation”, possibly discusses societal constraints and expectations[1†].
• Grandes entrevistas uruguayas (editor, 2000)[1†]: As the editor of this work, di Candia showcases significant interviews from Uruguay[1†].
• Sólo cuando sucumba (2003)[1†]: This non-fiction work, “Only When It Succumbs”, might explore themes of loss and surrender[1†].
• Tiempos de tolerancia, tiempos de ira (2005)[1†]: Translated as “Times of Tolerance, Times of Anger”, this non-fiction work likely discusses societal dynamics and emotional climates[1†].
• El país del deja, deja (1996)[1†]: This fiction work, “The Country of Let It Be”, showcases di Candia’s storytelling abilities[1†].
• Resucitar no es gran cosa (1997)[1†]: This fiction work, “Resurrecting is Not a Big Deal”, possibly explores themes of life, death, and rebirth[1†].
• Concierto para doble discurso y orquesta (2003)[1†]: This fiction work, “Concert for Double Discourse and Orchestra”, likely presents a complex narrative structure[1†].
• El pleito de la Princesa de Gales y otros relatos (2016)[1†]: This fiction work, “The Lawsuit of the Princess of Wales and Other Stories”, is a collection of short stories[1†].

Each of these works contributes to the rich tapestry of di Candia’s literary career, reflecting his experiences and perspectives[1†].

Analysis and Evaluation

César di Candia’s work as a journalist and writer has had a significant impact on Uruguayan literature and journalism[1†]. His long-lasting career in several relevant periodicals, including El País, Lunes, El Dedo, Guambia, Repórter, Hechos, La Mañana, Marcha, and Búsqueda, has allowed him to develop a unique voice and perspective[1†].

His interviews with notorious politicians involved in the civic-military dictatorship have been particularly impactful[1†]. The interview with retired General Hugo Medina, in which he revealed giving orders to torture, was a landmark in Uruguayan journalism[1†]. This interview not only shed light on the harsh realities of the dictatorship but also demonstrated di Candia’s commitment to truth and transparency[1†].

In his literary works, di Candia reflects his experiences in written media[1†]. His non-fiction works often explore themes of resilience, societal tension, and tolerance[1†]. His fiction works, on the other hand, showcase his storytelling abilities and often present complex narrative structures[1†].

Di Candia’s work has undoubtedly left a lasting legacy in Uruguayan literature and journalism. His commitment to truth, transparency, and storytelling continues to inspire and influence future generations[1†].

Personal Life

Currently, there is no personal information available on the internet about César di Candia[1†][4†]

Conclusion and Legacy

César di Candia’s legacy in the field of journalism and literature is significant. His long-lasting career in several relevant periodicals, including El País, Lunes, El Dedo, Guambia, Repórter, Hechos, La Mañana, Marcha, and Búsqueda, has left a lasting impact[1†]. His interviews with notorious politicians involved in the civic-military dictatorship have been recognized as landmarks in Uruguayan journalism[1†].

His literary works, reflecting his experience in written media, have contributed to the richness of Uruguayan literature[1†]. His works, including “Ni muerte ni derrota”, “El viento nuestro de cada día”, “Los años del odio”, “La generación encorsetada”, “Grandes entrevistas uruguayas”, “Sólo cuando sucumba”, “Tiempos de tolerancia, tiempos de ira”, “El país del deja, deja”, “Resucitar no es gran cosa”, “Concierto para doble discurso y orquesta”, and “El pleito de la Princesa de Gales y otros relatos”, have been widely appreciated[1†].

César di Candia’s work continues to inspire future generations of journalists and writers, and his contributions to Uruguayan literature and journalism will be remembered for years to come[1†].

Key Information

• Also Known As: Cesar di Candia[1†][4†]
• Born: October 24, 1929, Florida, Uruguay[1†][4†]
• Nationality: Uruguayan[1†][4†]
• Occupation: Journalist, Writer[1†][4†]
• Notable Works: Some of his notable works include “Ni muerte ni derrota” (1987, republished in 2006), “El viento nuestro de cada día” (1989), “Los años del odio” (1993), “La generación encorsetada” (1994), “El país del deja, deja” (1996), “Resucitar no es gran cosa” (1997), “Grandes entrevistas uruguayas” (editor, 2000), “Sólo cuando sucumba” (2003), “Concierto para doble discurso y orquesta” (2003), and “El pleito de la Princesa de Gales y otros relatos” (2016)[1†][4†].

References and Citations:

1. Wikipedia (English) - César di Candia [website] - link
2. CelebsAgeWiki - César di Candia Biography, Age, Height, Wife, Net Worth and Family [website] - link
3. Wikiwand - César di Candia - Wikiwand [website] - link
4. Wikipedia (Spanish) - César di Candia [website] - link
5. Editorial Fin de Siglo - Los pobres no van al paraíso – de César Di Candia [website] - link